![]() ![]() The first LoCut and HiCut filters cover a wide frequency range (17Hz-1kHz and 21-1.2kHz, respectively) and - although roll-off slopes aren't quoted - are reasonably steep (we measured 18dB/octave). The Saturation section is paralleled further with Tube and Solid State options, and its own filters (HiCut and LoCut again).Įlsewhere, in contrast, the controls are quite specific. ![]() The signal is then split into three parallel paths - Dry, Saturation and Focus - which are blended back at the Output gain control (+/-24 dB). The order is: Input gain (+/-24dB), filters (adjustable LoCut and HiCut) and MidDip, De-Esser, Compress, then EQ (Lows, Presence and Air). We find it attractive and very likeable, but it does little to indicate the actual signal flow. The unusual GUI has divided opinion on audio forums across the land. "The Focus control really brings out those key vocal articulation frequencies, and we found it very useful indeed" Notable by their absence are additive effects like reverb and delay, and any form of doubling - clearly, BVV's thrust is on tidying up, colouring and focussing vocals in order to sit them in the mix as easily as possible. ![]() With Vig renowned for his upfront production and edgy vocal sound, its not surprising that BVV incorporates saturation as one of its four core processes, the other three being filtering, EQ and dynamics. ![]()
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